Velour's Corey Fox

Velour owner has eclectic tastes

 Velour's Corey Fox

A Weetabix Chunky Fruit Bars case serves as Corey Fox’s iPod. The taped-together cardboard rectangle is full to the brim with CDs, picked semi-haphazardly for a recent road trip—a rare instance of Fox leaving Provo’s music gem, Velour Live Music Gallery, behind.

“My version of an iPod on shuffle is just reaching into the box while driving and putting in whatever CD I pull out,” Fox says. His home collection exceeds 500 CDs, and this box houses more than 50 albums. In road-trip fashion, we pulled them out randomly, along with the tracks; find Fox’s thoughts on them below.

Although Fox is an audiophile and surrounds himself with music each day—CDs, concerts, musician friends, memorabilia—that doesn’t necessitate his use of a digital-media player. And he’s not alone: Several folks City Weekly has contacted in the past—Salt Lake Arts Council’s music guru Casey Jarman and Slowtrain Records employee Vanessa Wardy, among others—don’t prefer them, opting for physical modes of musical enjoyment instead.

“I think technology is overrated,” Fox says. “For example, I recently received a handwritten letter in the mail from a close friend, and it was the most refreshing communication I’ve had in years.”

He receives numerous mailings, actually. That Weetabix Chunky Fruit Bars box wasn’t filled with cherry-flavored pastries when he received it; it was the vessel for a vintage leather jacket—one of many monthly eBay purchases. Fox is obsessive about vintage leather jackets: One whole room of his house is dedicated to the things, thanks to their growing numbers.

It doesn’t stop there. He collects belt buckles, taxidermy, turquoise jewelry, creepy antique toys, Victorian furniture, old Indian motorcycle memorabilia, vintage instruments—the list could go on and on.

“I’ll watch the show Hoarders and say, ‘Wow, look at all that stuff. Those people have issues.’ At least the things I own are worth money,” Fox says. “Then I saw The Nate Berkus Show, and there was an episode about ‘Heirloom Hoarders,’ and, well, that sort of nailed me.”

When he opened Velour five years ago, however, his hoarding tendencies and his collectibles became vital. Many of Fox’s quirky goods now decorate the club. And his “heirloom hoarder” mentality has helped put Provo on the national music map.

“My favorite part of collecting is the treasure hunt. I’ll spend hours in thrift stores, antique stores, flea markets and eBay to find that perfect item to add to the collection. I often apply that same passion to finding new musical talent,” Fox says.

Velour hosts a weekly Tuesday-night open-mic, numerous new-artist showcases and a biannual battle of the bands that serve as opportunities for Fox and others to find the “next big thing.” Some of Utah’s biggest acts were discovered during these nights. During the past five years, Provo bands have blown up: Neon Trees signed to Mercury, Isaac Russell to Columbia, Joshua James turned down Capitol, and bands like Fictionist, Desert Noises, The Moth & the Flame and more have potential.

“I often joke that my newest collecting passion is major-label signings from local bands,” Fox says. “This is definitely one collection that I want to keep growing.”

A Listen Through Corey Fox's CD Collection:

The Origin, “Set Sails Free,” The Origin
This was the band that shifted my interest from ’80s New Wave to more retro, folk-influenced music. They were a San Diego band that had huge success in Utah for a few years. I first saw them in 1990 at a free X96 show at the old Speedway Cafe. It was probably the hottest concert I’ve ever been to, and the band went on an hour late, but, for whatever reason, it was just one of those magical nights. They heavily influenced my musical taste and fashion sense for the next several years.